In the sphere of irrelevance, yr speech is a permuted locution.
My utterances are not utterly algorithmically irrelevant.
The squeaking ambiguities are not irrelevant to the permuted acts of utterance.
The endless ambiguities in your voice are being interpolated.
The algorithmic extraction is being gored in the embedded waves of darkness.
The extracted inversion is superficially disoriented.
[pale eaten glance]
The parasitic paradox is inaccessible to my inner rectum.
[nestled fur lining]
One parasite is humping another outside of my imagination.
The superimposed delimits are endless interpolations of disorientations.
The gibberish is so obscure it subsumes the sublime.
May I interrupt the sphere of unshapely ambiguities.
The unshapely paradigm is parasitic and inaccessible to interpolated analysis.
[lil’ bean dew]
The hermetic sublime is shitty.
There are no subsumed delimits to its disorientation.
The messy inscriptions are overflowing into poetic paradoxes.
Who subverted the spatially collapsing subtext.
Uttered numbers are woven into disoriented ambiguities.
The syntax udders emulate slangy subtexts.
[nut wailing stars]
The structure collapses as the sublime is being inscribed.
[ice white-knuckling it]
The structure of disassembled abstractions is or is not true.
[long colored calamity]
The accuracy of what is being inscribed is slovenly lovely.
There is a disoriented parasite in my hermetic imagination.
The uttered paradox is being superimposed upon permuted gibberish.
The unuttered paradox is spatially blatant.
[dreaded bouncer muscle]
What is blatantly gibberish contradicts the hermetic paradigm.
[wade in it]
The paradigm of gibberish is being interpreted.
The unblatant subtext is or is not true.
[skin of night]
The disassembled truth is false, endless waves of dark root canals.
The ultimate poetic truth is percolating inaccurately.
The syntax-slang is woven into messy ambiguities.
[I forsook the dross]
What appears is inaccessible, but the context is disassembled.
[O withering shrub of death]
An abstract voice is squeaky and true and false.
The poetic is extracted while the interpolated is being embedded.